A white envelope stands upright against a dark background, its surface smooth and unmarked except for a faint blue stamp near the top. Stuck to its front is a one-hundred-dollar bill, its portrait of Benjamin Franklin clearly visible, slightly distorted by the adhesive. In front of the envelope lie a pair of metallic handcuffs, their links and keyhole catching the light. The cuffs are closed, resting in a slightly open position, suggesting recent use or deliberate placement. The contrast between the sterile white of the envelope and the cold, reflective metal of the cuffs creates a stark visual juxtaposition. The overall scene is still, with no motion or implied action beyond the static arrangement of these objects.
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Ransom
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